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Australian VFX studio delivers more than 25 minutes for the latest edition to Fox’s “X-Men” franchise. [video width="720" height="404" src="https://d8l792bi5zc2h.cloudfront.net/wp-content/uploads/rsp_grizzly_breakdowns_v006_web.mp4?x38041" poster="https://d8l792bi5zc2h.cloudfront.net/wp-content/uploads/viewBreakdown_720x302.
Australian VFX studio delivers more than 25 minutes for the latest edition to Fox’s “X-Men” franchise. [video width="720" height="404" src="https://d8l792bi5zc2h.cloudfront.net/wp-content/uploads/rsp_grizzly_breakdowns_v006_web.mp4?x38041" poster="https://d8l792bi5zc2h.cloudfront.net/wp-content/uploads/viewBreakdown_720x302.
Supporting Effects, Old Sport RSP has once again successfully collaborated with Baz Luhrmann and Catherine Martin for a number of sequences on Warner Bros. adaptation of The Great Gatsby. Led by seasoned VFX Supervisor, Tim Crosbie, RSP contributed 123 visual effects shots to the film.
Supporting Effects, Old Sport RSP has once again successfully collaborated with Baz Luhrmann and Catherine Martin for a number of sequences on Warner Bros. adaptation of The Great Gatsby. Led by seasoned VFX Supervisor, Tim Crosbie, RSP contributed 123 visual effects shots to the film.
Bring Back the Dead In Lakeshore Entertainment’s I, Frankenstein director Stuart Beattie offers a darkly cerebral tale in which the monster of the Mary Shelley novel (here named Adam and played by Aaron Eckhart) has survived to modern day and become embroiled in a deadly confr
Bring Back the Dead In Lakeshore Entertainment’s I, Frankenstein director Stuart Beattie offers a darkly cerebral tale in which the monster of the Mary Shelley novel (here named Adam and played by Aaron Eckhart) has survived to modern day and become embroiled in a deadly confr
For The Incredible Burt Wonderstone, Rising Sun Pictures was called on to enhance a scene in which
For The Incredible Burt Wonderstone, Rising Sun Pictures was called on to enhance a scene in which