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Digital Intermediate
  • RSP initially provided pre-visualisation services for the film, as well as on-set supervision at Fox Studios. VFX shots included “juvenile bone claws” for Young Logan, an Adamantium injection, and a photo-real matte painting showing the general’s arrival at Alkali Lake. Both the bone claws and Adamantium claws were based on reference footage of claw prosthetics used on-set. As the claws emerge from Logan’s hands for the first time, a warping effect was used to indicate that the skin on the back of his hand was rising and moving as the blades emerged. For the Adamantium injection sequence, the set was dressed to look like the interior of an abandoned nuclear power station. Logan was suspended in a tank with an injection machine. The machine was mostly complete on-set, but the needle gun was replaced with a CG model for safety reasons. Practical bubbles rising in the tank in the foreground were also replaced with CG elements.

    RSP initially provided pre-visualisation services for the film, as well as on-set supervision at Fox Studios. VFX shots included “juvenile bone claws” for Young Logan, an Adamantium injection, and a photo-real matte painting showing the general’s arrival at Alkali Lake. Both the bone claws and Adamantium claws were based on reference footage of claw prosthetics used on-set. As the claws emerge from Logan’s hands for the first time, a warping effect was used to indicate that the skin on the back of his hand was rising and moving as the blades emerged. For the Adamantium injection sequence, the set was dressed to look like the interior of an abandoned nuclear power station. Logan was suspended in a tank with an injection machine. The machine was mostly complete on-set, but the needle gun was replaced with a CG model for safety reasons. Practical bubbles rising in the tank in the foreground were also replaced with CG elements.

    Credits & Crew
    Director:
    Gavin Hood
    VFX Producer:
    Greg Baxter
    VFX Supervisor:
    Patrick McClung Craig Lyn
    Rising Sun Pictures:
    Aaron Barlow Belinda Allen Bill Collis Campbell McGrouther Chris Hardman Dan Bethell Daniel Thompson Eric So Fred Chapman Gemma James Grant Everett Ian Cope James Furlong James Whitlam Jonathon Batson Justin Long Keith Herft Laura Ingram Les Turner Mara Hamilton Martin Tardiff Martin Wiseman Melinda Jones Nicholas Pill Nick Murphy Nick Pitt-Owen Norah Mulroney Premamurti Paersch Robert Baird Robert Dorris Sam Hancock Sandeep Vengsarkar Timothy Jones Tom Proctor Toshiaki Shiozawa Wesley Cilldhaire
    Director:
    Gavin Hood
    VFX Producer:
    Greg Baxter
    VFX Supervisor:
    Patrick McClung Craig Lyn
    Rising Sun Pictures:
    Aaron Barlow Belinda Allen Bill Collis Campbell McGrouther Chris Hardman Dan Bethell Daniel Thompson Eric So Fred Chapman Gemma James Grant Everett Ian Cope James Furlong James Whitlam Jonathon Batson Justin Long Keith Herft Laura Ingram Les Turner Mara Hamilton Martin Tardiff Martin Wiseman Melinda Jones Nicholas Pill Nick Murphy Nick Pitt-Owen Norah Mulroney Premamurti Paersch Robert Baird Robert Dorris Sam Hancock Sandeep Vengsarkar Timothy Jones Tom Proctor Toshiaki Shiozawa Wesley Cilldhaire

    cineSync was first used on Harry Potter and the Goblet of Fire.
    Contact us:

    Level 1, 180 Pulteney Street Adelaide, South Australia 5000 Australia

    +61 8 8400 6400 vfxinfo@rsp.com.au

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    Contact us:

    Level 1, 180 Pulteney Street Adelaide, South Australia 5000 Australia

    +61 8 8400 6400 vfxinfo@rsp.com.au

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